Julieta Colantonio
I am a communication scientist and writer born in Buenos Aires and based in Berlin.

I collaborate with studios, institutions, and artists to design culturally sensitive systems — leading projects from research and briefing through to production and analysis.

My work sits at the intersection of language and space, operating between strategy and composition. This extends into a curatorial practice engaged with acoustic environments and deep listening, in which the philosophy of history meets studies on states of amplified perception.

My academic foundation in Communication Sciences (Universidad de Buenos Aires), Visual Culture research (Humboldt-Universität zu Berlin), and an incoming Master’s Degree in Spatial Strategies (Weißensee Kunsthochschule Berlin) charges these lines of inquiry with critical theory.

I co-founded and co-direct spiritual technologies, a research infrastructure for spatial hyperlinking working across knowledge and design production.

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Work

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Co-Founder and Co-Director
spiritual technologies
2023 - present

Independent Writer
DAZED, Grau Magazine, Arts of the Working Class, King Kong, vakuum Magazin, Arts of the Working Class
2023 - present

Visual Researcher
Humboldt-Innovation 
Berlin
2021 - 2022

Digital Strategist
Museo de Arte Moderno 
Buenos Aires
2021 - 2022

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Listening formats 

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(upcoming) Silence, Sound, World: Listening Practice  
With manu abeca
HAR Loft
2026

Composition for Gongs: A Sonic Meditation Live Set
With Sasha Smirnova
HAR Loft
2026

A Listening Practice: Ambient and Gongs
With Landscape 
HAR Loft
Berlin
2026

Sound / Silence
With Emilio Osei-Bonsu and Barbarelle 
BAM-works
Berlin
2025

Equinox Bath: Ambient and Gongs
With landscape
HAR Studio
Berlin
2025

Silence Bath: Planet Gongs and Lyras
With Fe Sexta
HAR Loft
Berlin 
2025

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Residencies and Grants

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Curatorial Residency
Arts of the Working Class
Berlin
2025

Research Residency
Workspace Brussels 
Brussels
2024

Full Scholarship  
Santander and Humboldt International Program
Berlin
2021

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Featured Stories

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EQ Navigates Hyper Fragmentation ↗
Photography by Yannis Constantinos
032c.com
2026

Amidst Daemons and Demigods: Heith and Bianca Peruzzi ↗
Photography by Gil Corujeira
King Kong Magazine, issue 20. Print
2025

To the Anointed Ones ↗
Co-authored by Mila Tirini
Arts of the Working Class, issue 37. Print.
2025

The Metaphysics of Dysmorphia: Figa Link ↗
GRAU Magazine, issue 02. Printed cover
2025

Dance on the Verge of Humankind's Collapse: Adam Russell-Jones and Europa ↗
Photography by Gil Corujeira
vakuum Magazin, online
2025

A Raw Portrait of Germany's Burgeoning New Wave Scene ↗
Dazed, online
2024

Perpetual Return to the Source: Sanfita 666
STUCK Magazine, issue 02. Printed cover
2024

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Curatorial and Dramaturgy 

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Illusio
Sofia Mastrogiacomo, Gil Corujeira, Amalia R Mitina, Maximilian D’Antonio, Mila Tirini
Culterim Gesundbrunnen
Berlin
2026

Martyriums
Shaly López, Sofia Mastrogiacomo, Josefina Maro
New Fears Gallery
Berlin
2025

Archive screening (60’)
Leo Adef, Mila Tirini 
Arts of the Working Class
Berlin
2025

A Fragile Moment of Peace (working title)
Shaly López, Fe Sexta
Kaaistudios
Brussels
2024

A Sense of Return,
STUCK, Alecchina, Sofia Mastrogiacomo 
GIRI
Berlin
2024

Parallel Play: Final Act
Post-Organic Bauplan, Bungalovv
Project Space Festival, COUNCIL+ 
Berlin
2024

Parallel Play
Yan Lozov, Lazaer Georgiev, Petra Popangelova, Mike Morlock
COUNCIL+
Berlin
2024

I saw you in a song: an anti-memoir
Marina Mónaco, Sofia Mastrogiacomo, Morphena
Be Safe Space
Berlin
2024

Dripping Stillness
Lena Becerra, Sofia Mastrogiacomo, Shaly López, Candie
Spätibros
Berlin
2023

I saw you in a song
Marina Mónaco, Sofia Mastrogiacomo, Morphena
Art House Rising
Berlin
2023

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Edited Publications

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I saw you in a song: an anti-memoir
Concept, Co-Editor
Marina Mónaco, Sofia Mastrogiacomo
We Make it, Printed Matter, Inc. 
NYC 
2024

Dripping Stillness
Concept, Author, Co-Editor
Lena Becerra, Sofia Mastrogiacomo
We Make it, Institute of Postnatural Studies
Madrid
2023

I saw you in a song
Concept, Co-Editor
Marina Mónaco, Sofia Mastrogiacomo
We Make it
Berlin 
2023

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Education

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Licenciatura en Ciencias de la Comunicación
Universidad de Buenos Aires (FSOC, UBA)
2022
              

Selected Projects  
Email, cvInstagram, are.na ↗

spiritual technologies
research infrastructure, spatial hyperlinking Julieta Colantonio, Sofia Mastrogiacomo, Shaly López, Mila Tirini. 
Berlin, Germany. 2023-present.

spiritual technologies is a research infrastructure for spatial hyperlinking based in Berlin, co-founded and co-directed by Julieta Colantonio and Sofia Mastrogiacomo, with Shaly López as a core member. Since 2023, its focus has been on the conceptualization, design, and production of dramaturgies, publications, installations, and artefacts that implode the borders between exhibition-making, academic discourse, and internet practices. Its approach combines experimental strategies and research methodologies to catalyse collaborative efforts on the repositioning of pioneering (neo-)peripheral actors worldwide and the institutions they are aligned with.

A fragile moment of peace (working title)
ambience, dramaturgy
Julieta Colantonio, Shaly López, Fe Sexta
Kaaistudios. Brussels, Belgium. 2024-present



A fragile moment of peace (working title) is an ongoing sensory dramaturgy co-authored and developed with light and stage designer Shaly López. Working across sound, light, scent, and word, it explores the dramatic and metaphysical possibilities of the spectral. Derived from the Latin specere ("to look"), the spectral refers to perceptual phenomena in which figures or sensations remain after a stimulus has ceased. Through the iteration of spatial articulations, a structure based purely on subjective, locational, and relational interpretations begins to form. Not a narrative; but likelihood pushed until it behaves like one, the composition in progress traces how perception continues to operate beyond the limits of the sensible. 

sound, silence, world
ambience, research infrastructure
Julieta Colantonio, Emilio Osei-Bonsu, Barbarelle
Photography by: Johanna Weilert
sound, silence, world is a listening format series situated within a longer-term initiation into gong facilitation and ashram training. Developed in collaboration with designers, producers, and composers, the practice advances the hypothesis that the current decay of our reality systems is giving rise to a turn to stillness, witnessing, and contemplation: not passive, but increasingly receptive to atmosphere and gravity. Its map of influences spans from Pauline Oliveros' Deep Listening to Egyptian alchemical treatises on sound as medicine and Death Doula traditions. The planet gongs I play are attuned to the Cosmic Octave, a formula developed by Swiss mathematician Hans Cousto linking periodically occurring natural phenomena. As their frequencies travel through matter, they enhance Theta and Delta brain waves, associated with creative states and access to the unconscious. The encounters operate as coordinates that collide the outward and active with the inward and embodied, towards collective gestures in the processing of grief.

archive screening 60’: leo adef
spatial hyperlinking, archival practice
Curated by Julieta Colantonio
Graphic Design by Sofia Mastrogiacomo
Production Assistant Mila Tirini
Live piece by P0brediabla
Built with spiritual technologies
Light Design by Shaly López  
Photographs by Marina Mónaco
In Residency at Arts of the Working Class
Leo Adef's videotape archives (60’) screening at Arts of the Working Class spanned eight years of intimate encounters. The piece, as much fragment as continuum, moved under the pulse of reaching from individual universes, the matter for sense-making and sense-breaking perception: of the self, the body, its surroundings, and the intrinsic grief of probing through all three. Encompassing queer experiences across Berlin, Kyiv, Buenos Aires, Athens, São Paulo, Barcelona, Prague, and Warsaw, Leo Adef's act of editing connected the dots between expression and encounter as articulation, and beyond the tyranny of time-space. The presentation format I curated in Berlin mirrored the project's promise: to remain open to both the forces of fast-paced transformation and deep-rooted vulnerability. A meta-image of the archive itself, the closed-door iterations of Leo Adef's screenings followed by conversations aimed to enrich their body of work by facing intimacy with intimacy.

I saw you in a song
spatial hyperlinking, editorial practice
Editorial and Art Direction by Julieta Colantonio and Sofia Mastrogiacomo.
Graphic Design by Sofia Mastrogiacomo.
Concept by Julieta Colantonio.
All photographs by Marina Mónaco.
Built with spiritual technologies.
Risograph printed and bound at We Make It 2023.
Limited Edition of 150 copies
150g/m² Munken Print White paper
32 pages 20x28,5cm
1/1 color Risography
I saw you in a song, and I saw you in a song: an anti-memoir, the publications, are echoing formats of the exhibition series I co-curated for photographer Marina Mónaco. After developing the title and original concept, we directed the editorial and curatorial project alongside Sofia Mastrogiacomo, including the spatial design and installations for its presentation in Berlin. The publications feature photographs, text excerpts, song selections, and my conversations with the artist. Our work was featured in Dazed Magazine and is part of the Printed Matter Inc. catalogue in New York.

Top Julieta Colantonio © 2026