I build communication systems across contemporary culture.

Curatorial Work 

Illusio
with Sofia Mastrogiacomo, Gil Corujeira, Amalia Mitina, Maximilian D’Antonio, Mila Tirini
Culterim
Berlin
2026

Sound, silence, world (series)
with manu abeca, landscape, sasha smirnova, Fe Sexta, Aria Gilani, Bibiana Colmenares
Berlin
2026

Sound / Silence
with Emilio Osei-Bonsu, Barbarelle
BAM-works
Berlin
2025

Martyriums
with Shaly López, Sofia Mastrogiacomo, Josefina Maro
New Fears Gallery
Berlin
2025

Archive screening (60’)
with Leo Adef, p0brediabla
Arts of the Working Class
Berlin
2025

A Fragile Moment of Peace (working title)
Shaly López, Fe Sexta
Kaaistudios
Brussels
2024

A Sense of Return
STUCK, Alecchina, Sofia Mastrogiacomo
GIRI
Berlin
2024

Parallel Play
Yan Lozov, Lazar Georgiev, Petra Popangelova, Post-Organic Bauplan, Bungalovv, Marco Lozov
COUNCIL+
Berlin
2024

I saw you in a song: an anti-memoir
Marina Mónaco, Sofia Mastrogiacomo, Morphena
Be Safe Space
Berlin
2024

Dripping Stillness
Lena Becerra, Sofia Mastrogiacomo, Shaly López, Candie
Spätibros
Berlin
2023

I saw you in a song
Marina Mónaco, Sofia Mastrogiacomo, Morphena
Art House Rising
Berlin
2023



Featured Conversations

EQ Navigates-Hyper Fragmentation
Photography by Yannis Constantinos
032c.com
2026

Amidst Daemons and Demigods: Heith and Bianca Peruzzi
Photography by Gil Corujeira
King Kong Magazine, issue 20. Print
2025


To the Anointed Ones
Co-authored by Mila Tirini
Arts of the Working Class, issue 37. Print.
2025

The Metaphysics of Dysmorphia: Figa Link

GRAU Magazine, issue 02. Print cover
2025

Dance on the Verge of Humankind's Collapse: Adam Russell-Jones and Europa ↗
Photography by Gil Corujeira
vakuum Magazin, online
2025

A Raw Portrait of Germany's Burgeoning New Wave Scene ↗
Dazed, online
2024


Residencies and Grants

Arts of the Working Class
Curatorial Residency
Berlin
2025

Workspace Brussels
Research Residency 
Brussels
2024

Santander · Humboldt International
Full Mobility and Research Grant 
Buenos Aires-Berlin
2021

Education

Licenciatura en Ciencias de la Comunicación
Universidad de Buenos Aires (FSOC, UBA)
2022
spiritual technologies
research infrastructure, curatorial hyperlinking
Julieta Colantonio, Sofia Mastrogiacomo, Shaly López, Mila Tirini. 
Berlin, Germany. 2023-present.

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spiritual technologies is an infrastructure for curatorial hyperlinking based in Berlin, co-founded and co-directed by Sofia Mastrogiacomo and Julieta Colantonio, with Shaly López as a core member. Since 2023, our focus has been on the conceptualisation, design, and production of collaborative formats. Working across exhibitions, editorial, and internet practices, we propose access points for conversations we consider important. Our approach is driven by the curiosity to rearrange prevailing meanings.
A fragile moment of peace (working title)
atmosphere, research infrastructure
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Julieta Colantonio, Shaly López, Fe Sexta
Kaaistudios. Brussels, Belgium. 2024-present



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A fragile moment of peace (working title) is an ongoing sensory dramaturgy co-authored and developed with light and stage designer Shaly López. Working across sound, light, scent, and word, it explores the dramatic and metaphysical possibilities of the spectral. Derived from the Latin specere ("to look"), the spectral refers to perceptual phenomena in which figures or sensations remain after a stimulus has ceased. Through the iteration of spatial articulations, a structure based purely on subjective, locational, and relational interpretations begins to form. Not a narrative; but likelihood pushed until it behaves like one, the composition in progress traces how perception continues to operate beyond the limits of the sensible. 
sound, silence, world (series)
atmosphere, curatorial hyperlinking
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Julieta Colantonio, Emilio Osei-Bonsu, Barbarelle
Photography by: Johanna Weilert

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SAound, silence, world is a spatial series situated within a longer-term initiation into gong facilitation, death doula traditions, and ashram training. Developed in collaboration with sound artists, designers, and writers, the practice advances the hypothesis that the inviability of our socio-political-ecological systems is giving rise to a turn to stillness, witnessing, and contemplation: not passive, but increasingly receptive to atmosphere and gravity. The encounters serve as coordinates that bring the outward and active into relation with resonant and embodied listening, toward collective gestures in the processing of individual and planetary forms of hope and grief. 
I saw you in a song
curatorial hyperlinking, editorial practice

Editorial and Art Direction by Julieta Colantonio and Sofia Mastrogiacomo.
Graphic Design by Sofia Mastrogiacomo.
Concept by Julieta Colantonio.

All photographs by Marina Mónaco.
Built with spiritual technologies.
Risograph printed and bound at We Make It 2023.

Limited Edition of 150 copies
150g/m² Munken Print White paper
32 pages 20x28,5cm
1/1 color Risography

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I saw you in a song, and I saw you in a song: an anti-memoir; the publications are echoing formats of the exhibition series I co-curated for photographer Marina Mónaco. After developing the title and original concept, we directed the editorial and curatorial project alongside Sofia Mastrogiacomo, including the spatial design and installations for its presentation in Berlin. The publications feature photographs, text excerpts, song selections, and my conversations with the artist. Our work was featured in Dazed Magazine and is part of the Printed Matter Inc. catalogue in New York.
archive screening 60’: leo adef
curatorial hyperlinking, archival practice
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Curated by Julieta Colantonio
Graphic Design by Sofia Mastrogiacomo
Production Assistant Mila Tirini
Live piece by P0brediabla
Built with spiritual technologies
Light Design by Shaly López  
Photographs by Marina Mónaco
In Residency at Arts of the Working Class

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Leo Adef's videotape archives (60’) screening spanned eight years of intimate encounters. Both fragment and continuum, the piece reached from individual universes, the matter for sense-making and sense-breaking perception: of the self, the bodily, its surroundings, and the intrinsic grief of probing through all three. Encompassing queer experiences across Berlin, Kyiv, Buenos Aires, Athens, São Paulo, Barcelona, Prague, and Warsaw, Leo Adef's act of editing connected the dots between outward expression and inward articulation. The presentations mirrored the project's promise: to remain open to fast-paced transformation and deep-degree vulnerability. A meta-image of the archive itself: the two closed-door iterations of Leo Adef's screenings followed by conversations aimed to enrich their body of work by facing intimacy with intimacy.
Dripping Stillness
curatorial hyperlinking, editorial practice
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Editorial and Art Direction by Julieta Colantonio and Sofia Mastrogiacomo.
Graphic Design by Sofia Mastrogiacomo.
Concept and Texts by Julieta Colantonio.
Released at the ‘Dripping Stillness’ exhibition in Berlin.
Risograph printed and bound in Berlin at We Make It 2023.
All artworks by Lena Becerra.
Limited Edition of 50 copies.
32 pages, 2/2 colors, Risograph.
Bible Paper.

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Dripping Stillness: a coordinate of the below,  Lena Becerra’s publication, began as a conversation about Argentina’s dictatorship and the desaparecidos in the studio basement where she developed the artwork featured in its pages. We co-edited and art-directed it with Sofia Mastrogiacomo and presented it at Becerra’s first solo exhibition of the same name in Berlin.