I am a writer and curator born in Buenos Aires (1995). My work links editorial practice with space, light, and sound composition, placing critical theory at the service of collaborative coordinates.
Under 'spiritual technologies', the research infrastructure for curatorial hyperlinking that I co-founded and co-direct, I study how shifting paradigms mutually inform experimental practices situated in the 'neo-perifera': a syntagma that holds potential for rearrangements in perception, meaning, and accumulated knowledge. In my research, I explore the philosophical, poetic, and metaphysical possibilities of this premise.
With a formation in Communication Sciences, whose strong foundation was psychology and philosophy of history, I am driven by the human condition’s relationship to the substance of language, myth and the unconscious: these theoretical tectonics inform my sound practice with gongs, which links eastern meditation traditions with experimental studies in relationship with space, deep and embodied forms of listening, and effects on brain wave states.
My work seeks to ultimately act as a mnemoseye of the untold, a device for conditions of amplified perception: at once expanding existing lexicon, and integrating that which resists stabilising as form or object.
Under 'spiritual technologies', the research infrastructure for curatorial hyperlinking that I co-founded and co-direct, I study how shifting paradigms mutually inform experimental practices situated in the 'neo-perifera': a syntagma that holds potential for rearrangements in perception, meaning, and accumulated knowledge. In my research, I explore the philosophical, poetic, and metaphysical possibilities of this premise.
With a formation in Communication Sciences, whose strong foundation was psychology and philosophy of history, I am driven by the human condition’s relationship to the substance of language, myth and the unconscious: these theoretical tectonics inform my sound practice with gongs, which links eastern meditation traditions with experimental studies in relationship with space, deep and embodied forms of listening, and effects on brain wave states.
My work seeks to ultimately act as a mnemoseye of the untold, a device for conditions of amplified perception: at once expanding existing lexicon, and integrating that which resists stabilising as form or object.